Payment methods such as credit card (Visa, Master, JCB, AMEX)/Amazon Pay/Apple Pay/Pay Pay/Paypal/bank transfer are available.送料990円〜(地域により異なります)/税込11,000円以上で送料無料
Shipping within Japan: from ¥990 (varies by region) | Free shipping on orders of ¥11,000 or more (tax included)
1件のレビュー
Select 色
If you would like to be notified when this item is back in stock, please contact us via our contact form (please include the product name).
"akaco" is a series that explores the expression of persimmon glaze, which is a glaze representative of Mashiko ware. Persimmon glaze is characterized not only by its unique color but also by its high heat retention properties due to the high iron content in the glaze.
- A mug typical of Mashiko ware - The ``akaco mug'' is shaped like an old Mashiko ware cup with a handle attached. The inside is coated with a transparent white glaze. If the handle is too small, it will be difficult to hold, and if it is too large, the center of gravity will be unbalanced, which will greatly affect the impression and quality of the mug. At Sayado Wadagama, the handles of the mugs are attached by hand by craftsmen, so each handle is slightly different in shape. Just as people's fingers are shaped differently, so too are the shapes of the handles.
― “Persimmon glaze”, a glaze representative of Mashiko ware ― Persimmon glaze is a special glaze that represents Mashiko ware in Mashiko. Many people may think of the color of persimmon glaze when they think of Mashiko ware. Mashiko Town has developed as a pottery production area since the end of the Edo period. Later, Mr. Shoji Hamada moved to Japan, and while promoting the Mingei movement with Mr. Soetsu Yanagi and others who focused on the ``beauty of use'', it had a great influence on local potters, and began to be regarded as a ``work of art.'' Masu. Persimmon glaze is also a glaze that was often used for utensils such as bowls, water bottles, and earthenware jars that represent the early days of Mashiko ware. The ``akaco'' series is a series that explores the expression of persimmon glaze and vessels that fit in with modern life.
- Red powder that is the raw material for persimmon glaze - The raw material for persimmon glaze is Ashinuma stone from the northern region of Mashiko Town. The powdered form of Ashinuma stone is called red powder and is used as a glaze. Since persimmon glaze is made entirely from natural materials, it does not contain any chemical substances. In addition, persimmon glaze contains iron and retains heat. Mashiko red powder has long been used for roof tiles in the Tohoku region.
■Size approximately: 11.0cm x 7.0cm x 9.0cm (Length including handle x rim x height)
■Capacity: approx. 200ml *Capacity when full
Specifications & Care
Material
Pottery
Origin
Mashiko, Tochigi, Japan
Microwave
Microwave safe
Dishwasher
Dishwasher safe, but we recommend washing by hand
Oven / Open flame / Toaster oven
Not suitable
Before first use (sealing)
Before using the piece for the first time, soak it fully in hot (or cold) water and let it absorb the water. This is called "medome" (sealing), and it helps prevent tea stains and other marks.
Pottery is made from clay, so it absorbs a small amount of water. Letting it take in water first, rather than using it dry, helps it stay clean for longer.
About dishwashers
You may use a dishwasher, but we recommend washing by hand.
In a dishwasher, pieces can knock against each other, which may chip the rims or cause scratches. Please wash with a soft sponge and wipe off any water after washing.
Oven, open flame and toaster oven
Not suitable.
These pieces are not made from heat-resistant clay, so sudden changes in temperature may cause them to crack. Please cook in heat-resistant cookware and use this piece for serving.
Daily care
Leaving the piece wet for a long time may cause mold or deterioration. Please dry it well after washing.
Leaving strong-smelling foods, or deeply colored foods or liquids, in the piece for a long time may cause odors or colors to transfer.
Crazing (kannyu) and how the piece matures
Pottery is made from clay, so it absorbs a small amount of moisture. The surface of the glaze also has fine lines called "kannyu" (crazing). They do not lead to breakage.
Moisture and color slowly enter through these lines, and the color deepens the more the piece is used. In Japan, this change has long been appreciated as the "keshiki" (landscape) of a vessel.
If you would like the change to be more gradual, we recommend sealing the piece before first use, and washing and drying it soon after each use.
Individual differences
Each piece is handmade by our craftspeople. Shades of color, glaze runs and pools, small pinholes, slight warping: no two pieces are exactly alike. Listed sizes are approximate.
Our inspection standards, which show what we ship as good-quality items, are published on our "Inspection Standards" page (in Japanese). If you would like to see the actual piece before purchasing, please contact us and we will send you photos of it.
Repairs
We also offer kintsugi repair for broken pieces, joining them with lacquer (an urushi substitute). Before letting a piece go, please talk to us first.
Each pottery of Sayado Wadagama is made by hand. The appearance of the pottery changes depending on the natural environment in which it is made and the environment in which it is fired, and no two pottery are the same. Before purchasing, we ask for your understanding and understanding regarding the expression and individual differences of the vessels.
Sayado Wadagama is written as ``Sayado Wadagama.''
SAYADO is a place name in Mashiko Town. This area, which has long produced clay for pottery, is the center of Mashiko ware production, as it produces clay, the raw material for Mashiko ware, and is home to many Mashiko ware kilns.
Sayado Wadagama is a brand that aims to produce pottery, which can be said to be a product of nature, with a ``responsibility of receiving from nature'' and to deliver the charm of pottery to as many people as possible.
Through the tools of pottery, we provide true abundance and help people and the earth coexist. Aiming for such a future, we continue to face the soil today.